! COVID-19: Expect longer shipping times // Attendez-vous à des délais de livraison
Presentation of play written by dramatist Mary Mitford.
Glued by corners to thicker paper. Playbill itself printed on thin paper. Rust spots. Slight tears, missing ‘Theatre Royal’ wording at top of bill.
19.5 X 32.5 cm (playbill).
Theatre Royal in the 1820s (Wikipedia)
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.
The current building is the third theatre on the site following disastrous fires in 1808 and 1856. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, making it the third largest in London, and consists of four tiers of boxes and balconies and the amphitheatre gallery. The proscenium is 12.20 m wide and 14.80 m high. The main auditorium is a Grade I listed building.
Mary Russell Mitford (16 December 1787 – 10 January 1855) was an English author and dramatist. She was born at Alresford in Hampshire. She is best known for Our Village, a series of sketches of village scenes and vividly drawn characters based upon life in Three Mile Cross, a hamlet in the parish of Shinfield, near Reading in Berkshire, where she lived.
Her play Julian was produced at Covent Garden, with William Charles Macready in the title role, in 1823; Foscari at Covent Garden, with Charles Kemble as the hero, in 1826; while Rienzi, 1828, the best of her plays, ran for 34 performances.