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1958 french card with autographs of Jazz greats from Count Basie orchestra

$100.00 CAD

– Sold Out

1958 Membership card for Hot Club de France – Bordeaux. Belongs to Pierre Moglia 61 Rue du Pas-St. Georges Bordeaux, membership No. 2.

Signed on front by:

  • Joe Newman
  • Al Grey tromb
  • Freddie Green
  • Sonny Payne
  • __?__ 
  • __?__

(2 unidentified).

Signed on back by :

  • Henry Coker tromb.
  • Marshal Royal

Stain on front.

4-1/16” x 2-5/8”


Joseph Dwight Newman (7 September 1922 – 4 July 1992) was an American jazz trumpeter, composer, and educator, best known for his time with Count Basie.

In 1941 he joined Lionel Hampton for two years, before signing with Count Basie, with whom he stayed for a total of thirteen years, interrupted by short breaks and a long period (1947–1952) spent first with saxophonist Illinois Jacquet and then drummer J. C. Heard. During his second period with Basie, which lasted for about nine years, he made a number of small-group recordings as leader. He also played on Benny Goodman's 1962 tour of the Soviet Union.

Albert Thornton Grey was born on June 6, 1925 in Aldie, Virginia, just west of Washington DC. At the age of four Albert started learning with his father’s trumpet. His father was an instructor for a youth orchestra in Pottstown. He played the baritone horn at school because Albert’s family was so poor they couldn’t afford an instrument for him. While attending school, Albert went from the baritone in middle school, to the E-flat tuba in junior high, then to the B-flat tuba in high school. Even as Albert played these instruments, he liked the sound of the band director’s trombone.

Albert’s service to the Navy ended in 1946, and three days later he began playing for Benny Carter. Benny Carter heard that Albert was good and had just lost J. J. Johnson and needed a trombone player. “Benny Carter was like a teacher to Albert and if asked Albert always credited Benny Carter with extending his musical awareness.”

Albert joined vibraphonist, Lionel Hampton whose style was different from those of Carter and Lunceford.

Then, from 1956 to 1957, Albert worked in Dizzy Gillespie’s band. During this time bookings were scarce and transportation costs where high. Due to this the band had many nights without a gig. On one such night in 1957, Albert got the break he was looking for: Count Basie came to Philadelphia to the Pep’s Show Bar. Tom McIntosh was sick, so they had two trombone players. Basie was informed about Albert’s talent with the trombone and asked him to come play. Four days later they played a royal command performance in England. “His signature was the plunger mute, and he used it swaggeringly, making his malingering, behind-the-beat notes plump and juicy.”

Frederick William "Freddie" Green (1911 – 1987) was an American swing jazz guitarist. He was especially noted for his sophisticated rhythm guitar in big band settings, particularly for the Count Basie orchestra, where he was part of the "All-American Rhythm Section" with Basie on piano, Jo Jones on drums, and Walter Page on bass.

He was exposed to music from an early age, and learned the banjo before picking up the guitar in his early teenage years. A friend of his father by the name of Sam Walker taught a young Freddie to read music, and keenly encouraged him to keep up his guitar playing. Walker gave Freddie what was perhaps his first gig, playing with a local community group with whom Walker was an organizer. Another member of the group was William "Cat" Anderson, who went on to become an established trumpeter, working with notable figures such as Duke Ellington.

In 1937, Basie and his ensemble went to one of Green's gigs on the advice of an associate. Basie was an immediate fan, and approached Green with a job offer, which he accepted. Except for a brief interruption, Freddie Green would remain a pivotal fixture of the Count Basie Band for the next fifty years.

Sonny Payne (1926 – 1979) was an American jazz drummer, best known for his work with Count Basie and Harry James.

From 1950 to 1953, Payne played with Erskine Hawkins' big band, and led his own band for two years, but in late 1954 he made his most significant move, joining Basie's band for more than ten years of constant touring and recording.

He left Basie in 1965, leading his own trio and touring with Illinois Jacquet in 1976. He was Frank Sinatra's personal drummer for all of the singer's appearances with the Count Basie Orchestra in 1965 and 1966, and he later rejoined Basie as the regular drummer (1973–1974). Most of the rest of his career, however, was spent in the Harry James band, which he joined in 1966, and with which he was working when he died of pneumonia at the age of 52.

Henry Coker (1919 – 1979) was an American jazz trombonist.

From 1937 to 1939 he played with Nat Towles's territory band, then moved to Hawaii to play with Monk McFay. After Pearl Harbor Coker returned to California, playing with Benny Carter (1944–46), Illinois Jacquet (1945), Eddie Heywood (1946–47), and Charles Mingus (late '40s). Coker fell ill from 1949 to 1951 and played little, and after his recovery he worked with Sonny Rollins and then joined Count Basie's band, playing and recording with him from 1952 to 1963.

Marshal Walton Royal, Jr. (1912 – 1995) was an American clarinettist and alto saxophonist best known for his work with Count Basie, with whose band he played for nearly twenty years.

After his military service, Royal played with Eddie Heywood, then went on to work in studios in Los Angeles, California. In 1951 Royal replaced Buddy DeFranco as clarinettist with Count Basie's septet, which Basie had formed after circumstances forced him to dissolve his big band. When the Basie band was reformed the following year, Royal stayed on as lead alto saxophonist and as music director — not to leave until 1970.